this is the vinyl edition of tigerskins album >all those goodbyes< this special vinyl features 3 exclusive tracks that are not on the cd version of the album. the essence, out of breath and the king always stays the king are three club bangers that will destroy your floor.

as an artist, christian burkhardt, is not content with existing within the realms of house and techno, but is determined to further stretch its limits with his signature sound originally from heidelberg, germany, he has carved out his own unique path in production, something which perfectly evident on send the money back.

basic fingers release no. 15 is patrice larrar aka reverend ps blisteringly good reworks of two very familiar voices. if this is not soul & disco seduction of the highest order we really do not know what to say. truly spellbounding stuff.

the first release on the new bodytonic label is the debut ep by white collar boy. white collar boy are a two piece electronic-garage group from dublin. mark cummins (the ginger one) and gavin white (the-not-so-ginger one) met in barcelona where their shared passion for electronic composition (and knitting) inevitably led the pair to merge their creative endeavors. *suuu / tide* comes fresh with remixes from twisted pepper resident frank b (he of chain of fools fame) and simon bird.

the murph has not been shy about sharing his vision with the world, & here he brings some classic home grown chicago flavor. pressing on pink coloured & white marbled vinyl.

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

we present to you the first vinyl record from the minim.all label. this is a work by a creative team from russia, consisting of the owner of the minim.all label - mikhail kobzar a.k.a. plastic sound and his wife nastia. my wifes and my own ideas of people have always been filled with humor. after all, its impossible not to smile while observing the causes which make people act in a certain way.

toolbox is so proud of this wax. i discover somatic responses with their very first ep on cfet, and i still dig for any of their music. whatever it was with cavage, with ant-zen or with dbn. but its true to say techno became more and more rare with them. and this time we hang on with four unrealesed techno and hardcore tunes from somatic responses! the sound is just acid and crazy of course, but this is not oldschool, this is music, probably the best musical ep on acid night.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

limited to 200 copies in white – marbled vinyl with an exclusive vinyl-only dub remix! movida records presents 2 remixes from the track >la movida< which was original released on the part 3 of the compilation (movida010-3. on the a-side you have that remix from wigbert (sono vivo / levelnonzero) which is a very deep and spacin trip to the next dimension. on the flipside you have an classic dub remix which is done exclusive for all vinyl lovers and will not be released digital.

the newest edition to the back to you collective shows not to disappoint. greek born dj/producer dimitris kesses, better know as sek is not only the new kid on the block, but another careful selection from bty in new talent and an exploitation for the freshest sound. previously featuring on labels such as lost my dog and off recordings the latest ep broadcast seems to fit well on back to you.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

christoph el truentos debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. the deeply talented 24-year-old new zealander started writing back in 2011 at the time his son was born. tired fatherhood, personal upheaval and artistic indecision would actually help show christoph a clear path towards completing the record – a transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers of sonic texture and emotion to the listener.

big techno anthem! it is not a secret that pfirter and mindtrip are frequently mentioned in one breath and for two reason: serious analog techno without any compromises and superb quality products without any nonsense. shrink wrap.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

jamal moulays radio telepathy ep is a rolling, swooning piece of dub house with an expansive, deep and head-swimming effect. and , not to forget : its vinyl only - no digital bullshit

the beats have an edge, the chords are not trying too hard, the composition is perfectly crafted to hit all the right spots. when that crowd is thirsty for more heat, pull out this record, drop one of the tracks and watch everyone go wild!

for our first release power up, weve decided not to pull any punches. it features a groovin pair of tunes from muffin man, which stand on their own...

rombs fifth release takes a turn into deeper territories of house and techno. 3 solid techno tracks ranging from deeper trippy techno to a bit more jack and tribalish! patrick richard is pushing the right buttons! dungeon acid deliver an uncompromising acid rmx of fogdance. once again romb delivers a solid 12 combining classic sounds with new ideas dont sleep!! comes as small edition which is not getting a repress!.

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

the acid arabic wind has not finished blowing. after the warm welcome of our collections ep01, versatile proudly present four new tracks for eclectic and demanding dance rooms. once again, guido, hervé and sex schön from acid arab deliver one track and have asked producers from all over the world to contribute to the project. as you can see, some of the best musicians of our era have answered positively.

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

2017 repress. only few lost original copies, not a repress! classic and essential baby ford & ryan elliott remixes!

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

but that the cocoon compilation l is all about love, is beyond debate: the love for electronic dance music, for its complexity and its diversity, the love for this global musical language and last not least the enthusiasm for the well-known and the still non-famous protagonists of this tonal romance that faithfully accompanies us through night and day for more than 30 years now.

gutts are a jaded wrestling double act that were much celebrated in the golden era of uk wrestling in the 1980s. after a slow-decline into inactivity and relative obesity they decided to make a comeback in 2013 as an electronic music band called gutts. both neil landstrumm and alan hostage have recently reached peak-fitness through circuit training and eating salad for dinner, toning up for this new heavy-hitting vinyl release on glasgows horror boogie. both were last seen, exiting landstrumms analogue graveyard shouting *not the ears, not the ears* and *i demand to be treated like a sultan*. no further details were available at this time.

once upon a time ... in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form. tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80s electro, house & techno influenced tracks & creations. the new york transit authority name was first adopted for a split 12 release with conqueror (redlight) on redlightfs lobster boy label last year. his side was a slinky, 808 house number entitled *off the traxx*, which deservedly found its way into facts 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & ethe onef for fact mag that finished in the top 20 best fact mixes of the year.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

sun glitters sound is an ocean of lush melodies, pitch-shifted vocal samples, ghostly digi-diva choirs, warm bass melodies driven by alternately dense and relaxing beatwork combinations.

stuck in the 9-5 grind, stifled by the impersonality of constant social media and mobile interaction, contemporary urban life can be suffocating. for a certain breed, release cannot be found in the vast, unpopulated great outdoors. urban animals congregate in heaving warehouses, seeking solace in the liberating beats of the kick drum. they are bound not by association, but through a shared experience of primal relief felt in those shadowy, dance floor corners swelling with the sounds of low end frequencies and brazenly sculpted grooves. this is the urban animals jungle.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.

more techno-house hybrids from the australian based crew, sticking with the family oriented approach. baby, don t you sounds like something we ve grown to expect of freddie norwood, approachable and female friendly, with a hefty injection of muscle in the bottom end. lies rides out a peculiar and twisted groove up the climax, what happens after that is up to you. mic mills hits strong with the disco-not-disco moretti. mbm round things out with the bong song, suitable for dance floors and communions alike

*the secret of 12 o clock* is the second em records release by spaniard juan alberto arteche guels finis africae project. this twelve-inch vinyl collects six pieces from three 1980s albums, pieces not released on *a last discovery: the essential collection, 1984-2001*.

the modern classic and piano centred album xine on mojuba sublabel wandering was marking the debut by the talented sven weisemann in 2009 and remains relevant until today. with his new and second album inner motions he is focussing more on emotional club compatible tracks but does not lose sight of the demanding home listener at all.

jacking drum machine driven cuts. a return to form for aos, and certainly not an fxhe release you want to be missing.

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

it is not minimal, not maximal, and always in compliance with the historic atmosphere of detroit. we call it techno! nasty temper records presents its new release >pastpresentphuture< with d.i.c.e aka daniel benito kunz.

nice price deal !!! 2 tracks crafted structurally for djs and emotionally for dancers. once again, they’re not to be bothered with at home or in the car.

stephan schindler aka kryptic universe aka lockertmatik is a german electronic music producer with a preference for analogue gear. he has a distinct 90s techno and house sound signature without sounding dated or overnostalgic. after making waves on his own (vinyl only) lockertmatik imprint, he got full recognicition through his ep on shtum (uncanny valleys sublabel).
thank something for the interweb, otherwise we might have never been able to get in touch with this obscure talent. we are proud to introduce him in our roster with this fantastic ep, showcasing all of the above mentioned. midnight michigans detroit inspired machine funk, woodbridge st. tearjerking acid bassline & strings and, last but not least, the ridermans fierce analogue bassline and fearless drum programming brighten the catalogue of wolfskuil ltd in many, beautiful ways.

mr raoul ks beats blend in very slowly and do not take over until the very end. close your eyes on the dancefloor and find yourself exploring the secrets of the unknown, feeling the real esprit of the jungle

introducing the house of 12 vol.2, also including some new artists on this one. a1 is with martin bell, uk, the man behind all those videos on youtube about >how to make house music with soul<. a jazzy house raw tune, proper sound for a proper dancefloor. a2 is a mysterious band from croatia, rare people house brand, all stuffed with vintage gears as well, presenting a house/disco song with a fucking good syncopatic crescendo and some hypnotic vocal. b1 is an italian guy, jacy, and his talented attitude to resume a disappeared vibe from old italian house from the early 90s, mixed with a new touch, so its not revival, its a new life about that genre!! b2 is the worst of the band, as usual, deep88, here with a raw-all-played-track that hasnt seen any sequencer, just a multitrack tape overdubbing and mpc.